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Chiangmai Temples Tour

Chiangmai temples are the cultural and historical hear of the city. The most famous have been places of pilgrimage for northern people for centuries.
As traditional centers of merit making, they are the best places to see Buddhist ceremonies. Funded by noble and wealthy benefactors over a long period, they have also become the repositories of some of the finest examples of religious art. If you had but half a day in the city, then it is to one or two of these temples that you should go. Although chiang mai has many worth visiting temples around town that could take you a day or two to get it all (for those who appreciate lanna cultures and ethnic traditions). This webpage is just a brief information about things in the old days and we'll keep you update on each temples that you should visit soon.

The Lanna Temple

Thai temples have long served as the centre of the community. While this traditional role has diminished as young people have had less time for religious observances, the temples still lie at the heart of the ritual and social like of much of Thai society. Though earlier temples were the most durable constructions of the day, the wooden roofs and older earth filled walls have not survived the destructive forces of nature and man. Therefore most of the temple buildings seen today do not go back much before the 19 th century. Only the stupas(so called Chedi) and some walls and sculptured image which were built of laterite or brick covered with stucco have survived for longer periods.

The Chedi

Lanna temples originally were built round the chedi(stupas), which contain valuable relics of pious kings and monks. Like solid rocks in a sea of change, the old chedis mark the site of former temples and are almost the only structures that go back to the 13th - 15th centuries.

Perhaps their continued existence in some unlikely places in the city is no accident. In Brahmaniac Buddhist cosmology, the chedis 'stabilises the earth', fixing a point where heaven and earth meet. They maybe likened to the rising sun at dawn, bith separating and joining the earth and sky after the darkness of night.

Symbolising the dhamma, they chase away the darkness of ignorance and chaos. Though many chedi in Chiang Mai have been damaged by thieves who sought the precious relics contained inside, citizens have repaired and protected them. They are worshipped as sacred symblos representing the cosmic body of the Buddha and the law of the dhamma. Their shape differs, however, due to the particular symbolism of the dhamma chosen by the builders.

Chedi in Chiang Mai have two basic forms; the stepped or prasat style, and the bell style. However, from these basic forms many variations in size and shape have appeared, reflecting the wealth of the city over the centuries. An early example of the prasat style is the Mahapol Chedi at Wat Chamadevi in Lamphun. Later fine examples are those of Wat Phansat near Chang Phuak bus station and Wat Lok Moli west of Chang Puak gate.

The chedi of Wat Umong Suan Puthatham and the kater chedi of Wat Prathat Haripunchai have the bell shaped style. More recent examples are the Shan Burmese style chedis built in the late 19th century. These may be seen at the temples on Thapae Road. Other variations include the octagonal form, which may best be seen at Wat Phrathat Doi Suthep and Wat Duang Di, and the round form best seen at Wat Phuak Hong. Both designs may have evolved here or may have come with monks or traders from Ayutthaya(the octagonal form) and Lake Erhai in Yunnan (the round form)

Temple Buildings

The Ubosot and Viharn are the most ornate and important buildings in a temple compound. On the outside they are decorated with stucco motifs which are covered with lacquer, glass mosaic and gilt.

An Ubosot, or consecrated ceremonial hall in Lan Na, is generally small, for its relegious functions involve only monks. The ubosot stans in consecrated ground marked by eight boundary stones and are usually kept locked. Women are generally not allowed to enter.

The viharn is a larger assembly hall where lay people and monks participate in ceremonies. It is the main building of the temple and is usually located to the east of the chedi with the front entrance facing the auspicious direction of the sunrise.
Though many viharn in the north are characteristically Lanna in style, details in the architecture have been influenced by Ayutthaya and Rattanakosin (Bangkok) styles. Taller walls in the viharn, for example, show a distinct influence of the central(Siamese) Thai. Bot the Ubosot and the Viharn will contain the temple's most important Buddha images. During ceremonies cotton strings may be attached to these to spred the power and blessing of the image amongst devotees. Because of the value of these images and other artefacts, many Viharn are also kept locked except on Buddhist Holy days - Wan Phra(monk may unlocked a viharn if politely requested to do so).

The Viharn is often decorated with elaborate murals, which vary from ner to old, from finely executed to roughly rendered. Scenes from the Jataka, the previous lives of the Buddha, may adorn the sild walls. The eastern wall above the front entrance often shoes the unsuccessful attack by the demons of Mara, the God of Illusion, who attemps to dissuade the Buddha from achieving enlightenment.

Many temples contain a small scripture repository raised up on a pedestal or stilts for protection. Known as "ho trai", they are used to keep religious scripts inscribed on palm leaves. These scripts recorded Buddhist texts as well as the chronicle, which rare a main source of early Thai history. The best example of a "ho trai" is at Wat Phra Singha.

Other buildings include "Kuti", the monks' living quarters, general purpose halls known as "Sala", and a bell tower which announces ritual times to monks. Temples used to be the sold source of education and compounds often contain promary schools taken over by the government.

From ancient times the temple ground have served as a public place for festivals and fairs serving the local community. The entrances to compounds of important temples in the past would sometimes have heavily decorated entrance gates such as those at Wat Suan Dok.

Funeral rites are held in special halls, or at the homes of the deceased, from where processions will take the funeral beirs to cremation ground at special locations set apart from communities and temples.

Source: Tourism Authority of Thailand

   
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